ursula: bear eating salmon (Default)
When I first started working from home, I realized I needed a pair of fingerless gloves of my own--and then the weather got warmer, and they no longer seemed like a priority. Now that it's fall, though, I've started layering up again, and I finally sewed the ends in.

The yarn is Millefiori Light. It's not very tightly spun, which made it a bit of a hassle to work with, but the color changes are gorgeous. I have another ball in peacock colors, earmarked for a friend.

pictures under the cut )
ursula: bear eating salmon (Default)
ursula: Sheep knitting, from the Alice books (sheep)
Cabled hat

Michigan winters can be cold, so this cozy cabled hat has two layers and a turned-up brim. It's also fully reversible!

Cabled hat

The pattern fits a small to medium adult head. The multiple layers make the fit tighter, so if in doubt, increase needle size or add a round of increases.

Yarn

Two skeins of superwash merino in worsted weight in contrasting colors. I used Lichen and Lace 4-ply in Soot and Urth Yarns Harvest Worsted in Indigo.

Equipment

Set of 5 double-pointed needles, size 7
16" circular needle, size 7
Cable needle

Gauge:

11 sts/2 inches on size 7 needles

Pattern )
ursula: Sheep knitting, from the Alice books (sheep)
I skipped this weekend's SCA event because I have a cold, the inevitable result of too much time spent in airports, and am feeling dull and dragging. Instead, I listened to music and sewed in all the ends on the gloves for [personal profile] redsixwing:

fox gloves

fox gloves

(I will mail them on Monday, I promise!)

Then I pondered my next project. I think I want to make an actual sweater for myself, which I haven't done in a long time. I dug through lots and lots of cabled cardigans on Ravelry, and eventually settled on either Cassidy or Central Park. There are two salient differences that aren't obvious from images of the cable patterns. One is that Cassidy has waist shaping, while Central Park has a rectangular body. The other is that the smaller sizes of Cassidy are separated by two-inch increments, while Central Park sizes up four inches at a time. I am really not used to thinking about knitting for positive ease--with gloves and socks you typically want to make something a bit smaller than the body for which it's intended, to allow for stretching, whereas sweaters can drape--but it looks to me as if I could knit Cassidy for myself as written, but would have to alter Central Park to get an intermediate size.

I'm now debating whether I have the energy to hike to the yarn store (it's about two miles away, and I don't really know how to park nearby), or whether I can bear to wait an entire week before I have time to drop by after work. (Obviously one can buy yarn online, but this will be a long and slow enough project that I'd rather buy materials I love to touch, which is easier judged in person.)
ursula: Sheep knitting, from the Alice books (sheep)
[personal profile] thistleingrey asked me to post something about fibercraft. (If you'd like to request a last-minute January journal post, you can do so here.)

I've been working on a cardigan for one of my nieces (hopefully the larger niece), using Kristen Rengren's Barberry pattern. Here are some progress pictures... )
ursula: Sheep knitting, from the Alice books (sheep)
Interests meme from [personal profile] bluebaron. Comment if you'd like me to choose interests for you to write about?

calabi-yau manifolds

These are the thing I research! They're particular higher-dimensional spaces that are flat in the sense that if you were inside one you would experience no gravitational force, but are curled in on themselves in complicated ways. Here's the picture everyone uses, and here's a slice I generated using a different equation. Calabi is the Italian mathematician who conjectured that these spaces should exist. Yau (my mathematical grandfather) proved they actually do.

medieval knitting

I've done a lot of knitting based on medieval objects (or seventeenth-century patterns), over the years. It's usually in the round, and finer than a lot of modern work. Here's my current project:

sion hawk bag

Those are size 1 needles (that my friend [twitter.com profile] vandyhall made out of brass rod), so it's fairly small knitting, though not nearly as tiny as the original, which is a silk relic pouch preserved in a church in Switzerland.

onomastics

This is the fancy way of saying "the study of names". What interests me about studying names is less the individual names, and more the fact that thinking about names in different times and places provides an excuse to learn about languages, culture, and the way they interact. I'm particularly nerdy about classical Greek and Roman and medieval Turkic/Turkish and Mongolian names, though I've picked up all sorts of things, over the years.

knitting

Jan. 19th, 2016 08:46 pm
ursula: Sheep knitting, from the Alice books (sheep)
[personal profile] thistleingrey asked, "Have you been knitting at all?"

My knitting productivity definitely fell after I became a tenure-track professor, but yes, I have been knitting, even if I haven't been tracking most of it.

A few pictures )

Right now I'm working on a brilliant teal pair of stockings with patterning inspired by this sixteenth-century boys' pair. These gilt-and-green stockings in the Boston Museum of Fine Arts are part of the case for bright colors.
ursula: Sheep knitting, from the Alice books (sheep)
I made stockings with clocks for [personal profile] holyschist:

Stockings with clocks

I used a naturally dyed Malabrigo sock yarn. The dye was a little bit uneven, so the stockings have some natural striping. My needles were size 2 bamboo needles. I usually prefer metal needles for work this fine, and indeed I broke one needle while trying on the sock. However, this was travel knitting-- I started the stockings at a conference in Kentucky, made significant progress at a conference in Toronto, finished them in Providence and Seattle, and sewed in the ends in Minneapolis-- so I wanted to avoid pointy metal in my luggage. My gauge was about 19 stitches to 2 inches, and about 14 rows to the inch.

The stockings are designed to come just under the knee, and to be worn with garters. They're meant to fit a short woman. For general proportions and shaping, I followed the 1655 stocking pattern in Natura Exenterata, which is quoted in the appendix of Richard Rutt's History of Hand Knitting. My pattern wasn't an exact copy of the Natura Exenterata pattern, in part because I was making a stocking to fit a woman my size and using a different gauge, and in part because the directions in Natura Exenterata are genuinely obscure. I know [livejournal.com profile] xrian is working on a closer interpretation of the pattern; I'm curious to hear how her interpretation differs from mine!

knitting notes )
ursula: Gules, a bear passant sable (bear)
I feel like knitting some stockings. Does anyone want to trade an SCA craft for late-period stockings? (Garb's always nice, but I'd consider other trades, too.)

Now is also a good time to remind me about a project, if we've discussed a trade in the past.
ursula: bear eating salmon (Default)

Recycled rayon bag
Originally uploaded by ursulageorges
This is a bag made from recycled rayon saris and a bit of black linen. It was livejournal art for [livejournal.com profile] betzle.

raveling

Nov. 25th, 2007 10:40 am
ursula: Sheep knitting, from the Alice books (sheep)
I have an account at Ravelry now, with the same username. Be my friend, if you're over there!

(I do think Ravelry would be most useful for someone making small tweaks to published patterns, or trying to publish knitting patterns herself-- the networking breaks down when all of one's projects were invented from a memorized form and a bit of arithmetic.)
ursula: bear eating salmon (Default)

Romana scarf
Originally uploaded by ursulageorges
This scarf is for [livejournal.com profile] rivendellrose, as part of the art meme. It is based on a scarf that Romana wears in a classic Dr. Who episode. (According to IMDB, Lalla Ward, who played this incarnation of Romana, has written knitting books and married Richard Dawkins of angry-biologist fame after they were the only two people to show up on time for one of Douglas Adams' parties.)
ursula: bear eating salmon (Default)
. . . I'm posting as myself. Questions from [livejournal.com profile] rivendellrose follow. As always, comment if you want five of your own.

1. How did you decide to go into math as your primary focus?

One answer is here, in a previous interview. Earlier influences were Halmos' Finite-Dimensional Vector Spaces, which I worked through with a professor at Reed in the spring and early summer of my junior year of high school, and The Thread, which is about a math professor who travels the world looking for people named Pafnuty. I don't think I was terribly impressed by The Thread the first time I read it, but it grew on me slowly.

I should note that I don't think of myself as especially mathematically talented-- I think of myself as a generally smart person with a bit more patience for mathematics than many other smart people. This made me slow to make up my mind about math, and it means that when I angst about grad school I angst about whether I care enough, rather than whether I'm smart enough. One of the conclusions from the latest round of philosophizing is that the clarity and inevitability of Finite-Dimensional Vector Spaces and its ilk are achieved by art (formal linear algebra isn't always beautiful? who knew?), and that one of the things I want to do when I grow up is write math texts.

2. What's your favorite (or just plain wackiest) memory from the SCA?

The strangest memory is Border Raids in Kentucky, on a gorgeous site among rolling hills. I sat by myself watching the fighting. Behind me, a woman in a lovely green cotehardie and a lot of eyeshadow argued with the man next to her about which of them was the most authentic hillbilly.

My favorite SCA memories are sitting around the campfire listening to my friends singing (yes, [livejournal.com profile] hanksan, that includes "If all the young lassies were little white rabbits . . .")

3. I don't think I've ever heard you talk much about music - what singers/bands/groups do you like best?

Er, yes, uh, notice that I didn't say "sitting around the campfire singing myself." If you asked me this question at a party, I'd tell you that I've always had a soft spot for "Lithium", and then name some subset of the Velvet Underground, the Beatles, the Magnetic Fields, Belle & Sebastian, and the Bats. Lately, though, I've been more curious about stuff in the blues/bluegrass/folk/early country range.

4. What knitting project have you been the most proud of to date?

I'm proud whenever I finish something at an insanely fine gauge-- the Egyptian socks I made for [livejournal.com profile] glasseye long ago seemed impressive to me then, and the relic pouch for [livejournal.com profile] alaric and [livejournal.com profile] thechemgoddess still feels like a major accomplishment. In terms of design, my favorite project is a pair of black merino gloves I made for my sister, with cuffs of angora I'd found on sale, one blue-gray, one blue-purple. Those gloves are lost, alas, but [livejournal.com profile] gwacie should have a similar hat.

5. Which of Ursula K. LeGuin's books is your favorite, and why?

I like Tehanu and The Dispossessed and any number of short stories (you could probably map my childhood by determining which parts of Compass Rose I understood on any given reading). I might pick "Another Story" from Fisherman of the Inland Sea.

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