ursula: bear eating salmon (Default)
Lake of Souls is a collection of Ann Leckie's short fiction, divided into three sections: stories about the Radch, stories in the same universe as Raven Tower, and independent universes. The title story "Lake of Souls" (a novelette) is new; other stories have appeared in various places (as always with short fiction, some are easier to track down than others).

Leckie often experiments with point of view and different writing styles, and I enjoyed comparing the ways that individual stories emphasize one strand or another of her multitudinous interests. There's an undercurrent of horror in the Ancillary books, and some of the shorts (particularly "Footprints") bring it to the surface. "Lake of Souls" mixes gooey alien creepiness with a space-opera take on rapacious corporations that feels a lot like Murderbot or Leckie's recent short for Amazon, "The Long Game"; the aliens, as one might expect, are outstanding. "Hesperia and Glory" riffs on planetary romance; it has a nineteenth-century-style frame story with the intriguing refrain, "There is not now, nor has there ever been, a well in my cellar." I was glad to discover the layers of scheming, gamesmanship, and Breq's characteristic decisiveness in "She Commands Me and I Obey," an Ancillary-universe story I knew only by reputation. But my favorites are the Raven Tower stories: the rule that gods dare not speak a truth they cannot guarantee makes for fascinating puzzles, and I always enjoy the opportunity to explore other corners of this world.

(I read this collection as a Netgalley ARC; in the US, it comes out on April 2.)
ursula: bear eating salmon (Default)
The beginning of Ann Leckie's Translation State is in the best tradition of romantic adventure stories. We have Enae, the put-upon unmarried relative who receives an unexpected inheritance on hir grandmaman's death, Reet, the adopted child whose birth family might have more-than-human powers, and Qven, the child of an aristocratic family drawn into danger by a charming friend. Reet isn't sure where he comes from, or why he feels a disconcerting urge to peel the skin off the people around him and see what's inside. Qven, on the other hand, is clearly alien, raised (and specially designed) to become one of the Translators who interpret human experience for the inscrutable and dangerous Presger.

It would be easy to collapse the various differences into one grand binary--to contrast human love for family with Translator coldness, or to make the Translators' strangeness a metaphor for human neurodivergence--and I admire Leckie's refusal to do anything of the sort. Enae's relatives don't care about hir, while Reet's adoptive parents love him dearly. His blunt, awkward Nana won my heart with a cynical observation on group dynamics that will be familiar to geeks the world over:

"You know how it is with clubs and such," Nana continued. "Everyone loves the idea, and they love to come to the parties or whatever, but no one wants to do the work to keep things going and make the parties happen."


I was settling in for a book balancing lighthearted tropes and acutely observed social commentary when the story shifted... )

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