Victories Greater Than Death
Aug. 13th, 2020 05:25 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
ursulaI read Charlie Jane Anders' new YA novel for NetGalley. It's coming out from Tor Teen next spring.
Victories Greater Than Death is about a girl named Tina who is a clone of a six-foot-tall purple-skinned alien general who was, more or less, her society's Jean-Luc Picard. She was disguised as a human and raised by an adoptive mother. But as soon as she figures out how to trigger the rescue beacon full of stars hidden just under her heart, she will fulfill her destiny.
If you're an adult who loved She-Ra or Steven Universe or Long Way to a Small, Angry Planet, then this book is for you. If you know a tween who has read Harry Potter all the way through Order of the Phoenix and you want to give them an adventure story about being special and different and fighting evil that isn't racist and painfully transphobic, this is the book you're looking for.
But did I like it? Well, that's complicated.
Victories Greater Than Death is for people who have been told that their feelings are too much, who need to hear that even though their emotions are big and awkward and unwieldy and weird, there are people out there who care, who will value all of that huge powerful messiness and help them channel it toward good. But some of us have been told instead that our feelings are not enough, that we are distant or unreadable or cold, or just too practical to (ever) make a fuss. When I read a story that is actively didactic about the idea that Big Emotions Matter, I don't feel warm and cared for. I brace for impact. Because it's so, so easy for the message to slip from Big Emotions Matter to Your Emotions Don't.
So does Victories Greater Than Death hurt? Actually, no. Part of the reason is that it's clear-eyed and realistic about the way teenage bullying works, both when it's serious and when it's just low-key isolation. I particularly appreciated Tina's reminiscences about not fitting in at improv camp.
But also, Anders writes autistic-coded characters in a way that feels genuinely sympathetic. I've read multiple books recently with big diverse casts of characters and messages about acceptance where one of the characters was autistic, and most of them failed this test. If you have to repeat that the person your characters are accepting is strange and difficult and obsessed with incomprehensible boring things and fey more than twice, then guess what, "acceptance" might not mean what you think it does!
In Victories Greater Than Death, on the other hand, we learn in passing that Rachel struggles with social anxiety, gets tense in crowds and new places, and doesn't always like being touched, but the facts that are repeated every time she appears are that she is the! most! amazing! artist! and Tina's bestest friend in the universe!!!1!1 We see Rachel working hard to make strangers feel welcome, and then coping with the stress of having been "on" for too long. She gets a romance with a future pop superstar who makes musical robots. And her artistic talent is the key to the end-of-book triumph over evil.
In Victories Greater Than Death, Charlie Jane Anders seems to be writing a book for her younger self--a person who was weird and brave and needed to hear that dressing up in a pink sequined dinosaur suit is a good first step toward saving the world. I wasn't quite that girl, and the book I would design for my own younger self would be sideways from this one. But when Anders preaches acceptance for everyone, I believe she means it.
Victories Greater Than Death is about a girl named Tina who is a clone of a six-foot-tall purple-skinned alien general who was, more or less, her society's Jean-Luc Picard. She was disguised as a human and raised by an adoptive mother. But as soon as she figures out how to trigger the rescue beacon full of stars hidden just under her heart, she will fulfill her destiny.
If you're an adult who loved She-Ra or Steven Universe or Long Way to a Small, Angry Planet, then this book is for you. If you know a tween who has read Harry Potter all the way through Order of the Phoenix and you want to give them an adventure story about being special and different and fighting evil that isn't racist and painfully transphobic, this is the book you're looking for.
But did I like it? Well, that's complicated.
Victories Greater Than Death is for people who have been told that their feelings are too much, who need to hear that even though their emotions are big and awkward and unwieldy and weird, there are people out there who care, who will value all of that huge powerful messiness and help them channel it toward good. But some of us have been told instead that our feelings are not enough, that we are distant or unreadable or cold, or just too practical to (ever) make a fuss. When I read a story that is actively didactic about the idea that Big Emotions Matter, I don't feel warm and cared for. I brace for impact. Because it's so, so easy for the message to slip from Big Emotions Matter to Your Emotions Don't.
So does Victories Greater Than Death hurt? Actually, no. Part of the reason is that it's clear-eyed and realistic about the way teenage bullying works, both when it's serious and when it's just low-key isolation. I particularly appreciated Tina's reminiscences about not fitting in at improv camp.
But also, Anders writes autistic-coded characters in a way that feels genuinely sympathetic. I've read multiple books recently with big diverse casts of characters and messages about acceptance where one of the characters was autistic, and most of them failed this test. If you have to repeat that the person your characters are accepting is strange and difficult and obsessed with incomprehensible boring things and fey more than twice, then guess what, "acceptance" might not mean what you think it does!
In Victories Greater Than Death, on the other hand, we learn in passing that Rachel struggles with social anxiety, gets tense in crowds and new places, and doesn't always like being touched, but the facts that are repeated every time she appears are that she is the! most! amazing! artist! and Tina's bestest friend in the universe!!!1!1 We see Rachel working hard to make strangers feel welcome, and then coping with the stress of having been "on" for too long. She gets a romance with a future pop superstar who makes musical robots. And her artistic talent is the key to the end-of-book triumph over evil.
In Victories Greater Than Death, Charlie Jane Anders seems to be writing a book for her younger self--a person who was weird and brave and needed to hear that dressing up in a pink sequined dinosaur suit is a good first step toward saving the world. I wasn't quite that girl, and the book I would design for my own younger self would be sideways from this one. But when Anders preaches acceptance for everyone, I believe she means it.
(no subject)
Date: 2020-08-14 03:13 am (UTC)Ohh, I might have read some of the same books you have. As someone who kind of relates both to Big Emotions and to Rachel's trouble with too many people or too much contact, I'm so glad to hear that this book treats her better!
(no subject)
Date: 2020-08-15 02:18 pm (UTC)I also appreciate that there are four different Genius Teens (the one who likes spatial puzzles, the hacker, the physicist, and the musical roboticist), and they are all portrayed as genuinely enjoying what they do.
(no subject)
Date: 2020-08-16 01:34 am (UTC)(no subject)
Date: 2020-08-19 07:57 pm (UTC)(Teen is currently writing a Powerpoint presentation on why Mrs. Frisby & the Rats of Nimh is a far better reading selection than Of Mice and Men, LOL. Ze HATED OM&M. Something like this also might make that cut.)
(no subject)
Date: 2020-08-19 08:14 pm (UTC)(no subject)
Date: 2020-08-20 12:27 pm (UTC)